For people around my age Clive James seemed to appear
fully-formed in the late 1980s as the jocular host of TV programmes like “Saturday
Night Clive” and the later “Postcards From...” travel shows. I had little idea of
his history or previous works and it wasn’t until he became ill in his later
years that I started to realise that he had a whole other existence as a critic,
novelist and poet. After his death in 2019 I decided to fill in the gaps in my
knowledge by reading his memoirs. This book, “Always Unreliable” is an omnibus volume
containing “Unreliable Memoirs” (1980), “Falling Towards England” (1985) and “May
Week Was in June” (1990) all of which were originally published separately.
In a new introduction to the combined edition, James warns
us about believing everything that you might read in memoirs and autobiographies
before mentioning a few events and people he feels like he overlooked or
maligned.
The first section “Always Unreliable” follows the young
Clive (originally called Vivian) through his accident and incident-prone
childhood in suburban Australia. He makes himself out to have been a terrible
handful to his doting mother and generally unlikeable. It ends with him a young
man boarding a ship to England, then always the promised land for those seeking
a life in the arts or culture.
“Falling Towards England” mainly details the unravelling of
his plans once he reaches the UK. He intends to work a menial job to support
himself as he writes in the evening. However, he seems to be unable to keep a
job for more than five minutes and does nothing to help himself. In the end he has
an associate gain him entrance to Cambridge University but then discovers he
has to live in England for at least 2 years before he’s eligible for a
government stipend. His impressions and experience of 1960s UK life and culture
is a joy to read and quite eye-opening – a lot grittier and grimy than the
multi-coloured swinging love-fest we’re so often shown.
“May Week Was in June” takes a slightly smaller scope
covering pretty much only his life as a student in and out of Pembroke college.
He joins the famous Cambridge Footlights society and discovers a new life in
the field of entertainment. But his self-sabotage continues as he fails to do
much actual study towards his actual University courses. I found this section
started to drag a bit for me. Although its written with the equivalent of a
twinkle in his eyes, the cheeky-chappie cad-about- town thing grew somewhat tiring.
He paints detailed word portraits of his fellow students and friends, in
particular the Australians, Americans and those in the film industry. The
problem is none of them come out sounding like someone you’d want to spend
hours with let alone years. Eventually somehow, he sorts his life out, he achieves
good marks (but eventually drops out of Cambridge) and starts to sell his
writing. The book ends with him marrying one of his many girlfriends and
stating he is done with writing memoirs – two further volumes followed...
On the whole I enjoyed the ride in James’ skin, the first 2/3
being more enjoyable to me. He was obviously a great talent but struggled for a
long time to put that to practical use. It makes him more relatable but also
alienates the reader when he revels in it – you feel like yelling at him to see
the obvious before its too late. I look forward to catching up with the next
couple of decades in his life when I eventually read further.
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