A Master of Djinn by P. Djeli Clark (2021 Orbit softcover 392pp)
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Its not often you get to see an author’s imagined world
under construction but with “A Master of Djinn” you can do just that. After
reading a review of the book in the venerable Locus magazine a couple of months
back I was able to track down and read the shorter fiction set in the same
world which Clark had written over the past few years before committing to a full-length
novel. Those works are “A Dead Djinn in Cairo” (2016), “The Angel of Khan el-Khalili”
(2017) and “The Haunting of Tram Car 015" (2019). All are easily available
online and although not essential before reading the novel they do include
important developments, concepts and events frequently referred to in the
longer work. I recommend all of them, “A Dead Djinn..” introduces the main
character and follows her in an adventure which more or less acts like a dry
run for the later book. “The Angel...” is a much shorter snippet which acts as
an introduction to the mendacious ways of the beings that call themselves Angels.
“The Haunting..” is a more knockabout, light-hearted caper which introduces
more characters and settings that will be used later but at the same time lets
us witness the pressure for social change in Clark’s fantastical world.
P. Dejeli Clark is a pseudonym for a serious historian who
has decided to dabble in the world of fiction. He uses his knowledge of historical
politics and social movements to create an alternate world where all sorts of
things have become possible.
Put simply “A Master of Djinn” is a police procedural that follows
the investigations of Fatma el-Sha’arawi, an agent of the Ministry of Alchemy, Enchantments
& Supernatural Entities in an alternate 1912 Cairo. 40 years earlier a
mysterious mystic called al-Jahiz had caused magic and supernatural creatures
to come back into the world. The powerful Djinn had allied themselves with the
Egyptians and had brought about a magical-industrial revolution. Mechanical
computers and robotics designed by the Djinn allowed the country to kick out
its European oppressors and become a super-power in its own right.
Fatma is a rare female agent of the ministry and also draws
attention to herself by being foreign educated and dressing in western clothing.
Against her will she is assigned a partner, another recently-graduated agent,
Hadia Abdel Hafez.
The members of a secret society have been murdered by
magical means and the pair begin investigating the crime. Soon it becomes clear
that something bigger is going on. A caped and masked figure claiming to be al-Jahiz
himself is stirring up class divisions in Cairo and seems to have unlimited
powers.
In between the twists and turns of the central mystery, the
author really spares nothing in describing the world he has created. Everything
from the short stories is expanded and examined. The Djinn and other supernatural
beings are described in detail and given important roles. The city of Cairo is
brought to life as we move from wealthy suburbs to the squalor of the poorer sections
of town.
The are several major set-pieces as Fatma and her allies confront
the supposed al-Jahiz. Things move back and forth as the investigation
continues. Surprising revelations about friends and acquaintances come thick and
fast. The reader is given several clues about who is really behind the mask of the
antagonist, I guessed it a couple of chapters before the big reveal. In the end
the identity is not as important as the how (a clue is in the title) and why. I
felt the big finale was perhaps a bit too ‘action movie’ and a bit cheesy.
There is perhaps too much crammed into the novel, its fun
visiting the world and seeing its wonders but it seems like the author wanted
to show us everything and make the stakes as high as possible. More stories
about simple day-to-say investigations by the ministry and its agents would be
most welcome if the series is to continue, not everything has to involve the
potential end of the world.